3 Guitar Effect Pedals That Changed Music Forever

BOSS transformed pedals in 1977, with a total rethink of the design, use, as well as functionality of effects pedals. Since then, the Compact Pedal layout is considered the “gold standard” in small pedal design. Today, it’s challenging to find an effects pedal that does not owe something to BOSS’ special layout, introduced 40 years earlier. These 3 impacts pedals listed below sounded absolutely amazing, and still do. These pedals provided a brand-new type of distortion, previously unheard in a guitar effects pedals.


The SP-1 Range has actually had a great deal said about it over the years. During manufacturing from 1977 – 1981, it had a reasonably brief life-span with low manufacturing numbers. For these reasons, the SP-1 is thought about the most collectable pedal. Today, it fetches big prices on the used market. So what does it do precisely? Basically, it’s a single-band, parametric EQ Increase with two knobs. The SPECTRUM knob makes it possible for continually variable frequencies in the 500Hz to 5 kHz range.

At its time of launch, there really was absolutely nothing like the SP-1 as it had not been a distortion or a chorus, like previously released products. It was a new effect and the only one of its kind. Although it had not been a knockout pedal on its release, it’s still efficient with extremely useful outcomes. As a matter of fact, it’s terrific for that stylish, nearly phased kind of cool guitar audio!


With funk music coming on the scene in the 70s, the need for phaser pedals was increasing. BOSS reacted to the call with the PH-1 Phaser, a rich, smooth phaser that’s gone on to augment the sound of numerous guitar, bass or synth! The most popular phaser pedals of the day included just a single control handle which controlled the rate of the phasing. The PH-1 included depth control, which made it possible for the result to be either incredibly refined, or rich as well as abundant at the customer’s discernment.

The PH-1 offered sharp rhythm accent, soft arpeggios or big jet seems, in mix with distortion. The PH-1 later on generated the PH-1R, the PH-2 Super Phaser and the legacy of the initial still survives on today with the PH-3 Phase Shifter.


It’s almost impossible to underrate the importance of the OD-1 OverDrive. The renowned rock guitar sounds of the 60s and 70s required musicians to connect into tube guitar amplifiers and turn them completely up. The further tuned up they were, the more they started to reach their restrictions and distort. This sound was, as it turned out, a very desirable noise, but had the negative effects of being obtainable just at high decibles. This was what generated the first growth of fuzz pedals.

They did, certainly, ended up being admired for their own distinct blurry tones. The OD-1 OverDrive was a fresh item of engineering and was a spots of guitar technology. Its unique unbalanced overdrive circuit used an op-amp chip to produce an abundant, harmonic tone. When played into a tidy amp, the OD-1 astounded guitarist of the moment with its “amp-like” feel. Finally, for the first time ever, guitar players had access to natural, amp-like overdriven sounds at practical volume levels!

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